May 19May 19 Yeah Krennic shitting his pants v Vader was pretty great. I’m surprised he talked back to Tarkin in public.
May 19May 19 17 hours ago, billfromlaketravis said: Ain’t no kinda about it. Mon is fine. Smoke show. And when she was letting loose on the dancefloor at the wedding by herself...goddamn.
May 19May 19 On 5/14/2025 at 9:19 PM, Bill Brasky said: Bix named the baby Din Djarin, and when their planet was attacked he was rescued by the Mandalorians Timelines...how do they work. On 5/14/2025 at 9:27 PM, Levi said: Filoni would never make that kind of canon mistake. On 5/15/2025 at 10:20 AM, MissingInAction said: Just re-watched Secret Cargo. Gave me goose bumps. Andor series gives everything so much more gravity and life. Like ripples in a pond. Chopper is the best Droid character with K coming in a close second IMO. Flip em but yes.
May 19May 19 6 hours ago, billfromlaketravis said: Yeah Krennic shitting his pants v Vader was pretty great. I’m surprised he talked back to Tarkin in public. Which episode is that?
May 20May 20 Rewatching R1 in pieces: why did Andor have a hard time getting a meeting with Saw? Was it just Saw’s growing fanaticism / paranoia / psychopathy or something more specific?
May 20May 20 4 minutes ago, Buzzrock said: Rewatching R1 in pieces: why did Andor have a hard time getting a meeting with Saw? Was it just Saw’s growing fanaticism / paranoia / psychopathy or something more specific? He was all hopped up on goof balls
May 20May 20 I’m an OG Star Wars fan. Mom took me to see Ep IV in the theater when I was five. I love it so much that I’m not super-discerning with SW content. If it’s got the brand on it, I’ll watch it and probably find something to enjoy about it. That said… Andor feels like a huge gift. It tells a compelling story very closely connected to the stories that hooked me when my age was in single digits. It’s completely new, but still tickles the nostalgia. The magic is still there.
May 20May 20 I went ahead and rolled into R1 right after finishing the final episode. It was really amazing to me how seamless everything continued. I was just going to watch the beginning, but it was so much more enjoyable after watching Andor that I went through the whole thing. I wanted to roll right into ANH, but it was already after 2:00 am. I fully agree with whoever it was that posted that the Andor season should be the official Star Wars prequels now. I never even watched those things and I hate them
May 20May 20 4 hours ago, Ghost of NMAS said: I went ahead and rolled into R1 right after finishing the final episode. It was really amazing to me how seamless everything continued. I was just going to watch the beginning, but it was so much more enjoyable after watching Andor that I went through the whole thing. I wanted to roll right into ANH, but it was already after 2:00 am. I fully agree with whoever it was that posted that the Andor season should be the official Star Wars prequels now. I never even watched those things and I hate them Clone Wars fixes so much about the prequels it makes Anakin a much better character
May 20May 20 7 hours ago, Js1 said: He was all hopped up on goof balls Yep. Reminded me of me during a week long coke bender in Atlantic City. Oh the salad days.
May 20May 20 13 minutes ago, Michael Knight said: Clone Wars fixes so much about the prequels it makes Anakin a much better character Same. Watched that and rebels during the pandemic. Turned me into a mild fanbois.
May 20May 20 10 hours ago, Buzzrock said: Rewatching R1 in pieces: why did Andor have a hard time getting a meeting with Saw? Was it just Saw’s growing fanaticism / paranoia / psychopathy or something more specific? In Rebels they fill in more blanks - Saw doesn't play well with others and sees enemies everywhere. The Yavin rebels have been sending spies into his camp - Mon said as much - so it helps contextualize his accusations of "A SPY??"
May 20May 20 4 hours ago, Michael Knight said: Clone Wars fixes so much about the prequels it makes Anakin a much better character First time through, my brain read this as “Attack of the Clones fixes so much about the prequels” and I was like WTF?!?!
May 20May 20 After Andor, the member berries stuff in R1 feels forced. There was no reason for Cass and Jyn to run into the Tattooine criminals in Jedha, or for the random 3PO / R2 scene. Mon, Organa, Leia and Vader all served the plot so they felt like they fit.K2SO is great though. I know it won’t happen but I’d like to see what those two got up to in the year between Andor S2E11-12.
May 20May 20 3 hours ago, Buzzrock said: K2SO is great though. I know it won’t happen but I’d like to see what those two got up to in the year between Andor S2E11-12. I imagine it was a lot of drunken poker nights
May 20May 20 14 hours ago, Ghost of NMAS said: I went ahead and rolled into R1 right after finishing the final episode. It was really amazing to me how seamless everything continued. I was just going to watch the beginning, but it was so much more enjoyable after watching Andor that I went through the whole thing. I wanted to roll right into ANH, but it was already after 2:00 am. I fully agree with whoever it was that posted that the Andor season should be the official Star Wars prequels now. I never even watched those things and I hate them Pretty harsh to say about Solo... 9 hours ago, Michael Knight said: Clone Wars fixes so much about the prequels it makes Anakin a much better character Yep, as well as Rebels(my fave of the animated and probably 2nd, at worst 3rd, to the first 2 seasons of Mando 9 hours ago, MissingInAction said: Same. Watched that and rebels during the pandemic. Turned me into a mild fanbois. I was on the clone wars and rebels from the jump. Filoni knows what he's doing...and I'm glad Gilroy did his different, while not shitting all over what Filoni set up...actually allowing the Rebels episode where they took Mon to Yavin stand on it's own.
May 20May 20 32 minutes ago, Drew said: I was on the clone wars and rebels from the jump. Filoni knows what he's doing...and I'm glad Gilroy did his different, while not shitting all over what Filoni set up...actually allowing the Rebels episode where they took Mon to Yavin stand on it's own. I've been the biggest Filoni fan for forever. His later animated stuff were incredible, especially the final 2 episodes of Clone Wars. Rebels was started slow but was outstanding in the final 2 seasons. Bad Batch was enjoyable. With that said, his live action stuff has been pretty meh. I'm hoping the success, story telling, acting, and general awesomeness of Andor makes him realize his live action has much room to improve. I'm hoping Disney understands the bar which has been raised and stop greenlighting absolute shit shows which were doomed from the start from shit writing and acting.
May 20May 20 Anything involving Jedi just works so much better in an animated series. I think that's a big reason why his animated stuff is better.
May 20May 20 Why don't they just back up the hard drives, memories, and personality of every good droid and upload it into a new droid if it ever gets destroyed? The Rebels can have another K2 and Lando can get his sex droid back.
May 21May 21 I’m starting a rewatch from Season 1 tonight. I’m going to go through to R1. I’ve got a 3 day weekend coming up, so I may be able to finish the entire series by Monday.
May 21May 21 Was thinking about this while I was at Jury Duty today. I hate the sequel trilogy even more now (Episodes VII-IX). Makes it seem like everything before the sequel trilogy was irrelevant and didn't even matter.
May 21May 21 Andor and Jyn lookin like they was down to smash. There was def something brewing until they blew up or whatever
May 21May 21 19 minutes ago, kingkoopa6 said: Andor and Jyn lookin like they was down to smash. There was def something brewing until they blew up or whatever Bix has been gone for more than a year at that point. I'm sure Andor has a lot of built up ammo ready to fire at this point.....
May 21May 21 32 minutes ago, kingkoopa6 said: Andor and Jyn lookin like they was down to smash. There was def something brewing until they blew up or whatever I never got that impression. They were two people in a hopeless situation facing their immediate mortality. They helped comfort each other as they knew what was inevitable a few moments later. No need to die trying to run or hide.
May 21May 21 This is enjoyable. I love that he straight up destroyed the comic version of K2's origin. That's one aspect I do not enjoy, the idea that comics are canon. I specifically don't like it because not all of the writers are good at writing these stories like Gilroy can. Edited May 21May 21 by mdmost
May 21May 21 On 5/20/2025 at 4:09 PM, Murfdogg21 said: Why don't they just back up the hard drives, memories, and personality of every good droid and upload it into a new droid if it ever gets destroyed? The Rebels can have another K2 and Lando can get his sex droid back. There's a whole episode of Clone Wars, early on, on why this is a bad operational idea.
May 22May 22 6 hours ago, SydneyCarton said: There's a whole episode of Clone Wars, early on, on why this is a bad operational idea. Sex droids or backing up the data?
May 22May 22 On 5/20/2025 at 8:19 PM, speed817 said: Was thinking about this while I was at Jury Duty today. I hate the sequel trilogy even more now (Episodes VII-IX). Makes it seem like everything before the sequel trilogy was irrelevant and didn't even matter. What sequel? Don't know what you are talking about? Never happened.
May 23May 23 I’m about to start “One Way Out” on my rewatch through Rogue 1. This show was amazing start to finish. I slightly forgot about the excellence is Season 1 after Season 2. This show delivers start to finish.
May 23May 23 Holy Crap!! I forgot that “One Way Out” and Luthen’s speech were in the same episode. This is just greatness! Edited May 23May 23 by Hate
May 23May 23 Andor got submitted for 23 Emmy categories https://variety.com/2025/tv/awards/andor-season-2-emmy-campaign-submissions-1236407570/ Spoiler OUTSTANDING DRAMA SERIES Sanne Wohlenberg, Executive Producer Tony Gilroy, Executive Producer Kathleen Kennedy, Executive Producer Diego Luna, Executive Producer Luke Hull, Executive Producer John Gilroy, Executive Producer David Meanti, Producer DIRECTING FOR A DRAMA SERIES Janus Metz (208) WRITING FOR A DRAMA SERIES Dan Gilroy (209) LEAD ACTOR IN A DRAMA SERIES Diego Luna SUPPORTING ACTOR IN A DRAMA SERIES Stellan Skarsgård Kyle Soller SUPPORTING ACTRESS IN A DRAMA SERIES Genevieve O’Reilly Denise Gough Adria Arjona Faye Marsay Elizabeth Dulau GUEST ACTOR IN A DRAMA SERIES Ben Mendelsohn (211) Forest Whitaker (205) Benjamin Bratt (209) GUEST ACTRESS IN A DRAMA SERIES Varada Sethu (206) CHARACTER VOICE-OVER PERFORMANCE Alan Tudyk / K-2SO (211) CASTING FOR A DRAMA SERIES Nina Gold, Casting by Martin Ware, Casting by CINEMATOGRAPHY FOR A SERIES (ONE HOUR) Mark Patten, BSC (208) FANTASY/SCI-FI COSTUMES Michael Wilkinson, Costume Designer (203) Kate O’Farrell, Costume Supervisor Richard Davies, Assistant Costume Designer Paula Fajardo, Assistant Costume Designer PERIOD OR FANTASY/SCI-FI MAKEUP (NON-PROSTHETIC) Emma Scott, Hair & Makeup Designer (208) Mathilda Austin, Hair & Makeup Artist Amy Cuppage, Hair & Makeup Artist Hayley Gittins, Hair & Makeup Artist PERIOD OR FANTASY/SCI-FI HAIRSTYLING Gerda Lauciute, Hair & Makeup Supervisor (203) Colette Fishlock, Hair & Makeup Artist/Wigmaker Holly Caddy, Hair & Makeup Artist Sally Crawshaw, Hair & Makeup Artist Suhyun Kang, Hair & Makeup Artist Nicola Mount, Crowd Hair & Makeup Supervisor PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) Luke Hull, Production Designer (208) Toby Britton, Supervising Art Director Rebecca Alleway, Set Decorator MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE) Brandon Roberts, Music by (208) ORIGINAL MUSIC AND LYRICS “We are the Ghor” (208) Written by Nicholas Britell and Tony Gilroy PICTURE EDITING FOR A DRAMA SERIES Yan Miles, ACE (208) SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) David Acord, Sound Designer/Supervising Sound Editor (208) Margit Pfeiffer, Supervising Sound Editor James Spencer, Dialogue Editor Josh Gold, Sound Effects Editor Alyssa Nevarez, Foley Editor John Finklea, Music Editor Ronni Brown, Foley Arist Jana Vance, Foley Arist SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR) David Acord, Re-Recording Mixer (208) Geoff Foster, Music Mixer Danny Hambrook, Production Sound Mixer Richard Duarte, Foley Mixer SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Luke Murphy, Special Effects Supervisor Neal Scanlan, Special Creature Effects Supervisor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Sue Rowe, Scanline Visual Effects Supervisor Paolo D’Arco, In-House VFX Supervisor Jean-Clément Soret, Digital Colourist STUNT COORDINATION FOR DRAMA PROGRAMMING Marc Mailley, Stunt Coordinator STUNT PERFORMANCE Safehouse Sequence (212) Martin Wilde, Cassian Double Elliot Hawkes, Stunt Utility Xavier Lake, Stunt Performer Nikita Mitchell, Stunt Performer
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